queer australian teevee

I’m not watching much Australian television at the moment, because I’m in China and sadly ABC iview isn’t available outside of Australia, but I have been making an effort to watch two shows: Outland and The Newtown Girls. Coincidentally, these are both humourous shows about Australian Queers.

Outland is a six-part series that just finished on ABC1. It's a comedy about a gay science fiction club in Melbourne. I’ve been watching it via iTunes (AUD2.99 an episode; AUD16 for the lot).

The Newtown Girls is a ten-part webseries, a dramedy about the dating lols that accompany "returning to the scene." I didn't realise dressing up as Xena counted as a part of returning to the scene but it's all good. I’ve been watching it on the website (no cost).

Both of these shows are not only Australian and set in queer communities, but my favourite characters on both are queer ladies of colour. This makes me so happy.

Rae is an Indigenous sci-fi fan in a wheel chair. She wears awesome clothes and is a little insecure about her body but she’s not afraid of calling bullshit when it hits her. She’s played by Christine Anu, who is a super awesome TSI with a twitter.

Alex is a young Asian woman living it up in Newtown. She’s addicted to coffee (looks like an espresso) and she’s cheerful and forthright and she wears awesome clothes. She’s played by Renee Lim, who is an Asian actress from Perth who is a doctor in her spare time.

How could I not love them? I love them.

It took me a long time to become comfortable with being a queer Australian woman of an Asian background, and sometimes it’s still something I have to fight with other people about (more on that later), but it is my identity and I love it. And I’m so happy that there are two queer Australian women of a not-white ethnicity on my television (well, on my laptop), who speak like me and are portrayed by actresses I already liked and also one of whom is a science fiction fan like meeeee.

japan ken + barbie

A new Barbie has been doing the rounds, and it's amazing:



I don't even know what's going on here. This toy website tells me that Japan Ken wears 'Japanese-styled clothing and a samurai-inspired sword.' Japan Ken, if you are Japanese, why is your clothing Japanese "styled" and your sword samuri "inspired"?

A (former doll collecting) commenter in this Racialicious post comments that apparently Mattel intentionally went with a futuristic look, which I can dig - but then why are they Japan Ken and Barbie?

There is definitely a whole lot of fetishisation and exotification in here, and not that I want to be all 'hey Asian skin doesn't look like that' because of course there are light-skinned Japanese people, but I feel like it is not going out on a limb to say that those Barbies, if they were sans their Japanese-style future clothes, would look awfully Caucasian.

You know. Just like all the others to come before (except for Geisha Barbie and Chinese New Year Barbie, of course, who were no less exotified but at least...kinda looked Asian?).

WORLDCON: Or, what these panelists need is a trans academic

I went to Worldcon last weekend. It was good, I guess, I don't know, I was pretty sick. I spent a lot of time sitting around feeling miserable for myself. On the Thursday, though, I managed to drag myself along to two panels: queer themes in SF; and trans representations in YA SF.

A word on going to panels: I avoid panels on race! Because usually they make me angry! Dr S has, for example, a write up of a panel she went to that devolved into lots of excuses for Joss, what a fucking surprise. It was just like another panel we did that one time, about representations of 'the other' in SF, that devolved into lots of excuses for Joss (from our audience, not from any of the panelists). Anyway now I only go to panels on race and ethnicity in closed safe spaces.

Trans panels are probably going to be the same, I think (not that I, as a cis person, would necessarily or automatically be welcome in a safe space, depending on the requirements of that space), but I'd never even seen trans issues on a panel description for an SF con before, so I thought, why not? See what it is like.

It was like this:

At the queer themes in SF panel, I had to walk out. It was almost as if (and this is a bigger issue I had with Worldcon overall), the panelists were on the panel because they were queer, rather than because they had any intellectual, authorial or otherwise reason for being on there. To my knowledge, all of the panelists were cis. There was talk of sexuality, and then any time they tried to talk about issues of gender or, specifically, trans things, it would come back around to sexuality. Gender and sexuality were constantly conflated, and I came away feeling as if they were trying to talk about trans issues, but completely and totally lacked the language to do so. Better trans-related discussion came from the audience; in fact one of the panelists kept sensationalising the descriptions of trans reveals in stories. I don't know how better to describe this (and my notes at the time didn't elaborate further) - it was all just very odd.

As a cissie, I cannot make this call, but I sort of felt like, if they weren't going to do it with any sort of competance, maybe they should have just talked about sexuality and left the trans issues out of it.

The second panel I attended, on trans representations, was a much more (for me) positive experience. The chair was Cheryl Morgan, a trans academic. The panel was composed of two cis authors, both of whom have written well-received trans characters (Alison Goodman, the author of 'Eon,' and Hazel Edwards, who co-wrote 'f2m: the boy within,' with Ryan Kennedy but who coincidentally also wrote 'There is a Hippopotamus on Our Roof Eating Cake,'). Cheryl Morgan was really great about flagging whether there needed to be a quick trans 101, and then went in to defining sex and gender terms, just to be clear.

Some things I wrote down in the panel: often in SFF, 'trans' isn't used, instead some other term is used; Hazel Edwards highlighted how people always wanted to see a picture of Ryan Kennedy if he wasn't present (what a fucking surprise, people want to know if he's masculine enough urrggghhh); lots of SFF assumes that in the future, 'changing' gender will be easy (I am reminded of that Neil Gaiman short story, with the rebooting); heavy emphasis on collaboration/talking to people (this comes from a cis perspective, I think, and a clarification that there is no one trans experience).

Anyway, what a surprise that the panel that I felt dealt better with trans stuff (using my arbitrary measurements of better) was the one that centred (or referenced) actual trans experiences and voices. I know that wasn't the point of the queer issues panel, but it just felt so kind of hack job that...yeah.

books or stories (not necessarily SFF) that ended up on my 'check out sometime' list due to these panels:
'Luna' - Julie Anne Peters
'Questors' - Joan Lennon
'Eon' - Alison Goodman (I understand that there might be some cultural appropriation issues)
'f2m: the boy within' - Ryan Kennedy + Hazel Edwards (which actually was already on my toread list)

billy sing, chinese-australian and dude

So Yuey at Asians Down Under has a post up with the text of an article from news.com.au, over the new mini-series about one of the awesomest Chinese-Australians ever, Billy Sing.

A mini-series about a Chinese-Australian war hero! Amazing! Awesome stuff!

Davis said the problem in casting Sing as a Chinese-Australian arose when he couldn't find a 60-year-old Chinese actor to play his father.

"Asking Tony to play it as Chinese would not only have been racist and demeaning. It was also financially irrelevant -- we could not have afforded the make-up," he said. "Whatever his genetic background, his culture was Australian. To me, he's very representative of every Australian whose parents were not born here.

Do you know who is playing Billy? THE DIRECTOR'S WHITE SON. DO YOU SEE WHAT THE PROBLEM IS HERE? APPARENTLY THERE ARE NO OLDER CHINESE ACTORS.

NO OLDER CHINESE ACTORS.

OH GOOD.

From the article:

Former Nationals senator Bill O'Chee, who became an army reservist when he left parliament in 1999 and was born to a Chinese father and an Irish-Australian mother, was "deeply disappointed" by the production.

"We'll now have people growing up thinking Billy Sing was white. But we are jealous of his memory," he said. Federal Queensland Liberal MP Don Cameron, who found the site of the South Brisbane boarding house where Sing died in 1943 with five shillings on his bedside, said it was "tragically wrong" to have the sniper played by a white.

When conservative, old, white guys are telling you that you can't whitewash someone, MAYBE IT IS TIME TO REALISE YOU ARE DOING SOMETHING WRONG?!

But it's not like media representation is important or anything. I mean, it's not like people would come* out of watching this mini-series thinking Billy Sing was white or anything! We can just tell him that he was Chinese-Australian! BECAUSE THAT'S WORKED SO WELL BEFORE.

No Chinese actors to play his dad! It's not like they couldn't have GOT A CHINESE ACTOR FROM CHINA OR SOMETHING, IF THERE REALLY REALLY REALLY AREN'T ANY OLDER AUSTRALIAN ACTORS OF CHINESE DESCENT.**

Here is some more reading on representation on Australin tv:

how would we look from outer space? by Shiny New Coin

The lack of Asians on Australian TV, and why it matters at Eurasian Sensation.

And the wiki link for Billy Sing.

Dude was a dude, and he was a mixed-race Chinese-Australian dude, and everyone should know that, especially so we can combat that THIS COUNTRY WAS FOUNDED ON WHITE ARMY HEROES IN THE WAR myth.

OKAY GOOD


ETA: Yuey has posted a follow up post here.


*I say 'would' because this series has not yet been picked up for airing.

**I'm pretty skeptical of this, that there are no older Chinese Australian actors.