mqff is upon us! prepare for queer cinema!

The Melbourne Queer Film Festival starts next week, and as always I'm super excited! I missed out on the Festival last year (because China), and I'm really looking forward to this year's festival.

I volunteer every year, which is something I recommend for anyone who is in to films, is in to queer films, or wants to support their queer community. It's a great festival, everyone is always really lovely and there's a great feeling around it.

Also, this year, there are vegan lollies available for sale! Which is pretty awesome, please feel free to thank your local vegan for the idea (me) and everyone at MQFF who let me suggest it and then just Did It. I love when people accomodate dietary requirements, I hope there's no gluten in the lollies hmm. And there's an app for iPhone and Android, and most of the movies screen at ACMI which as you know (Melbourne) is one of the best cinemas and spaces ever.

Here is my short list, in screening order:

When Hainan Meets Teochew (当海南遇上潮州) (Saturday 16 March, 16:00)

When Hainan Meets Teochew tells a unique story about love between a butch and a femme woman. The two meet in the most unusual circumstances (involving a falling bra), become enemies in the most unpredictable situation and become friends in the most unforgettable manner. Just as they gradually develop feelings for each other, Hainan’s ex-girlfriend appears and puts their relationship under the most challenging test. The ensuing love triangle results in much misunderstanding and hilarity. What will become of Hainan and Teochew’s romance, and who is the owner of the falling bra?

 

Oz Docs (Monday 18 March, 18:00)

This is a series of Australian documentaries, including 'The La La Road' on Chinese lesbians, and the Aquaporko Documentary, featuring a whole lot of awesome, fat, queer ladies of my acquaintance.

Cockpit (Thursday 21 March, 18:30)

Mrs. Doubtfire meets Tootsie, meets Some Like it Hot - 10,000m up, in this over-the-top comedy of mistaken identities from Sweden. After losing his job as an airline pilot when his company downsizes, Valle is thrown out by his materialistic wife, who takes the kids with her and immediately begins a new relationship with a wealthy elderly man. After countless knock backs by airlines, he hears that Silver airlines are looking for a female captain. In desperation, and with little in the way of a plan, Valle dons a pair of high heels, borrows his staunchly feminist and queer friendly sister’s identity and transforms himself into attractive Maria and wins himself a pilot’s job. The plan begins to unravel when his lesbian airline colleague Cecilia starts to fall for him/her, and a narrowly averted plane crash, lands Maria all over the news.

Queens! Destiny of Dance (Friday 22 March, 20:30)

Guru Amma presides over a community of hijras (male to female transgenders) inside a huge palace, with love and severity in equal measure. The apple of her eye is the talented Mukta who is the best dancer among them and also the potential next leader of the community. Mukta adores Guru Amma with all her heart, to the point of worshipping her. One day, a beautiful young girl turns up at their door without any explanation. Awed by her beauty, Amma takes the mysterious girl under her wings and names her Nandini.

Soon, Nandini becomes the centre of attraction for the other hijras and for Amma as well, thereby sidelining Mukta. Mukta’s jealousy soon turns to paranoia about Nandini, and Mukta leaves the community after threatening Amma. But Mukta soon realises that she will never be taken back into her house or the community. Determined to set things right, Mukta returns to Amma and the community, but behaves kindly towards Nandini this time around, until enough is enough and events unfold leading to a shocking climax.

True to the essence of Bollywood films, Queens! is chock full of colourful characters, and fantastic dance scenes.

Strange Frame: Love and Sax (Saturday 23 March, 14:00)

The first lesbian, science fiction, rock ‘n’ roll animated film is here! Hold on tight as we head off into the 29th Century.

200 years after the human race has left a decimated Earth behind, life on Ganymede, one of Saturn’s moons, is a world of space pirates, indentured slaves and genetic mutations. Parker, a saxophonist, meets a gutsy singer, Naia, who’s a ‘debt slave’, and the two quickly fall in love and form a band. Gaining cult notoriety, the band catches the eye of the authorities, and Naia is recaptured. As Parker begins a desperate search for her love, Naia is repackaged by ‘the man’ as a generic rock star and achieves immense fame. Will Naia be saved before her soul is forever destroyed?

(quotes are from the mqff programme)

I always keep my short list short, because I burn out fast during festivals, but others I wouldn't mind seeing eventually are:
Gayby
My Best Day
The Mermaids
Speechless (无言)

azn aus lady things i'm giving money to

I came across two awesome looking short movies starring Asian Australian ladies that are currently looking for funding. I'm planning to donate to both of them as soon as I find my credit card, and I think they sound super interesting. I don't know any of the people involved in this (though if they want to say hi, they should definitely do so!).

Blood for the Devil's Daughters sees three Asian vampires resurrected and threatening Melbourne's Chinatown. The vampires will allegedly mix Asian "vampire" themes with Western ones - like hopping ghosts, fox spirits, and flying heads, and will be battled by two ladies of Asian heritage. The fundraising for this movie ends December 1.

Hit Girls is an action girl assassin comedy. It's set in Sydney and looks amazing and I want it and it aims to help to fill a space in Australia where we're multicultural but our media is all white. And I want it. Their fundraising ends November 13.

movie review: tai chi hero / 太极2

My short review on twitter immediately after seeing Tai Chi Hero:

[text of tweet: love flying machines & kung fu machines; sideeye at sudden & unexpected sideline of ladies; enjoyed the humour.]

The longer review (some spoilers):

Tai Chi Hero follows immediately on from Tai Chi 0, and has been released in China (and in Australia) with only a month between. It's easy to view them as one long movie, but it's easy to see where the original rumours of a trilogy would have come from. It's a duology with an epic story to tell, and just not enough time.

In Tai Chi 0, Yang Lu Chan ("the freak") comes to Chen Village to learn the Chen family style of Kung Fu. Lu Chan has been born with a natural advantage, the "Three Blossoms Horn" which both gives him awesome powers and is slowly killing him, hence his need to learn the more even Chen family style. The problem is that Chen family style is only taught to members of the Chen family, and Lu Chan is desperate enough to try anything to learn this style.

Tai Chi 0 features lots of fun action, videogame style sequencing and introductions, and lots of elements that I loved (including great machines and action sequences), as well as some awesome characters such as Yu Niang, who is not only the village apothecary but also completely stone fierce; brother Tofu; and the overly dramatic Fang Zijing, a family member with the wrong name who has never been allowed to learn the Chen family style.

In Tai Chi Hero, we are introduced to the remaining characters, some who have been given elevated importance in the trailer and some who weren't really introduced at all. The Inventor and the Silent Wife turn up, and I really hope that the Silent Wife's parts were originally there but later cut because otherwise what we have is a mysterious sidelining of the ladies, after they were all so awesome in the previous instalment. Yu Niang, who was so amazing in Tai Chi 0, and becomes Lu Chan's teacher in this instalment, is later resigned to standing on the sidelines as Lu Chan battles to prove that they are truly from the Chen family. This is obviously done for story purposes - it is, after all, the story of how Lu Chan becomes one with the yin and yang and with himself, therefore it must be he who demonstrates the style for the story - but Yu Niang, as daughter of the Chen Grandmaster, is surely the more logical demonstrator here? And the Silent Wife has so much potential, does some excellent kung fu, and then runs around looking sad and being threatened with torture. As this follows on from British agent Claire Heathrow's death in Tai Chi 0, which motivates Fang Zijing to become Truly Evil, it is unfortunate.

The switches between English and Mandarin are fun but sadly lacking. Mandy Lieu, as Claire Heathrow, is great in Mandarin but not so much in English. Peter Stormare turns up as another agent of the British East India Company and chews the scenery in both English and Mandarin. Eddie Peng (as Fang Zijing) is dramatic in English and unsympathetic in Mandarin.

It's not all criticisms. In fact, it's barely any criticisms, really, I criticise because I care. Tai Chi Hero continues to be a great (if heavy-handed) look at the impact of Western influence and modernisation in China at the turn of the century, and how that conflicted and contrasted with the desire to keep things as they are, for whatever reason and by whatever means necessary. It's a look at government corruption and the interpretation of history. I loved big brother, the inventor, who wanted to revolutionise China and his family by taking western machinery and ideas and developing it to take advantage of their best assets - in the Chen family's case, by making their kung fu even better. The revelation of his kung fu-aiding machine vest was probably the greatest moment of the film for me, a commentary on modernisation and adaptability and family and tradition and being Chinese in a five minute sequence. 

I really loved the moment when we found out why the movies are called Tai Chi X; and every moment featuring the Prince.

This instalment also continued with the humour and self-reflection, and I'm sorry to tell you that the translations didn't manage to capture all of the humour in the dialogue, so if you thought it was funny and you don't speak Mandarin, let me assure you that it was actually (intentionally) even more hilarious.

I loved it, I will definitely own this one, and I hope this new-ish trend of Chinese kung-fu steampunk movies continues. I just wish all of them had awesome ladies, is that too much to ask?

Other reviews: Margaret and David review Tai Chi 0 and Margaret interviews Kuo-Fu Chen and Tony Leung Ka-Fai*; Ay-Leen the Peacemaker reviews Tai Chi 0 at Tor; James Marsh at Twitch Films reviews Tai Chi Hero; an article on how it's a return to more traditional WuXia and it's a box office success for doing so (Zh).

*David and Margaret are Australia's favourite movie reviewers. Margaret's earrings have a Facebook page and my favourite Facebook page ever is called "When David Stratton from At the Movies gets shirty about handheld cameras." I love them. A lot.

book review: the fat years by chan koonchung

When I moved back to Australia three weeks ago (!!), the first book I picked up was my copy of The Fat Years (《盛世：中国，2013年》), which I'd left languishing on my bestie's bookshelf. I bought it when it first was translated into English, and then promptly moved to China. As it is a banned book (proclaimed in large print on the cover!), I left the book behind in Australia.

Part satire, part dystopian imaging, part road trip, part political thriller, The Fat Years seeks to establish reasons for erasure, and reasons for acceptance, and whilst it explores these issues it never places the blame in any one area, and never really comes to any conclusion. The government does things; the people do things; the government accepts some actions; the people accept some actions. The structure of the novel means there is a direct opportunity for the government to defend its actions, and defend it it does, in a way that makes such cold (but boring) sense in a Chinese context. It also includes warnings about the path China is taking, at the same time as providing support. It’s a clear indictment of the government system, at the same time as accepting what was done as needful.

Read the full review at my China blog!

awesome ladies and not-white dudes in science fiction and fantasy

So I was making a flippant tumblr post (yes! I have a tumblr! It is fun!) about SFF My Little Pony Mods. And I love the mods! My Little Han Solo is great! Love the My Little Cthulu! Am totally all there for the My Little Aragorn! But I noticed that, of the fifty My Little SF Pony Mods, only nine of them are lady ponies (and two of them are Princess Leia - ANH white flowy dress and slave outfit). Nine fierce SFF presenting as women ponies, and forty-one not. Also, coincidentally, no humanoid-and-not-white ponies (Cthulu and the My Little Predator Pony don't count), except perhaps for a Klingon pony in blackface (And don't talk to me about how ponies are purple and blue and shit, you know what I mean).

That sucks, SFF. That sucks, and so does the fact that I was compiling a list of ponies I would like to see, and started to struggle a little bit. This is why I've been trying to expand my SFF, give preference to SFF where the characters are women and/or not white; mostly, I have been trying to find SFF featuring some awesome not-white-dudes. And it may not surprise you to learn that it is hard!

What I have so far read this year that fits into this category:
The Hundred Thousand Kingdoms, NK Jemisin
The Gaslight Dogs, Karin Lowachee
The Circle of Magic Series (four books), Tamora Pierce
Code Noir, Marianne De Pierres
The Ladies of Grace Adieu, Suzanne Clarke (this sort of fits into this category)

What I am hoping to read this year:
Dragoneye Reborn, Alison Goodman
Herogiri, Mainak Dhar
A Banquet for Hungry Ghosts, Ying Chang Compestine
The Dragon and the Stars (eds Derwin Mak and Eric Choi)

And I'd like to get my hands on a copy of the Apex Book of World SF, and So Long Been Dreaming: postcolonial Science Fiction + Fantasy, but I don't know if I'm going to be able to do so.

I read a lot of books in a year, and that I'm hopeful to hit such a small number by the end of the year says a lot, I think. It says, I don't know that many not-white-dude protagonists in SFF. It says, there are not that many not-white-dude protagonists in SFF.

I don't really have an answer to this. It's just something that bugs me.

Some reading:
The White Male Nerd & his Cult of Awesome.

Sirayn asked me to comment on John C. Wright's latest fail (warning for all kinds of gender/trans/feminist fail), and when i asked who he was, she told me he was "a multi-published Nebula finalist SF author with Tor." And I thought, gee, what a surprise, another random asshole on the internet turns out to be a highly decorated white male SFF author. It's not the genre's fault that when the general standard of male behavior often defaults to "asshole," it's going to attract a lot of red-headed stepchildren.

When Will White People Stop Making Movies Like "Avatar"?

Critics have called alien epic Avatar a version of Dances With Wolves because it's about a white guy going native and becoming a great leader. But Avatar is just the latest scifi rehash of an old white guilt fantasy. Spoilers...

Whether Avatar is racist is a matter for debate. Regardless of where you come down on that question, it's undeniable that the film - like alien apartheid flick District 9, released earlier this year - is emphatically a fantasy about race. Specifically, it's a fantasy about race told from the point of view of white people. Avatar and scifi films like it give us the opportunity to answer the question: What do white people fantasize about when they fantasize about racial identity?

Space: One More Imaginary Frontier

Not because, as she implies, SF has a long and noble tradition of AUs, which the SF tradition has taught her not to take personally, ("Men get killed all the time in comics, how is it sexist if a woman is?") but because SF has carefully cultivated a space for a myth that is steeped in racism: the frontier. Terra Nullius, the new world, the edge of the map, the discovery of new lands, all of these have been a lie for all of human history.

Shame is an essay by Pam Noles on whitewashing in SFF stories.

Dad had his own names for the movies.

What's this? 'Escape to a White Planet?
It's called 'When Worlds Collide.' I'm sure I sounded indignant.

'Mars Kills the White People.' I love this one.
Daaaaad. It says it right there. 'War of the Worlds'. I know I sighed heavily, but was careful to turn back to the tv before rolling my eyes.

And the followup; The Shame of Earthsea: A Public Response To What Some Folks Are Saying About That Essay

My identity as a black person is challenged every day in genre. But what my parents took the time to do (once they realized they couldn't do anything to cleave me from genre), was help me question why me and my kind weren't in those fantasy worlds. That question, once recognized, evolved into my finding ways to take action and claim my right to exist and participate in those worlds."

mid week link town

The May Down Under Feminists Blog Carnival is up! Lots of great Antipodean feminist bloggers blogging!

Unusual Music has a great post up with a range of women's voices in rock, inspired by some great posts that were (as it was) centred on white women rockers. So she's centred this post on non-white women rockers.

Disclaimers, at Fugitivus.

But if you read my adoption post and thought, “Well, that’s not true, because my experience was good,” I don’t give a shit and I don’t want to hear it. That is you coming in here and demanding that the conversation be made about you. I’m not going to argue your life experience with you; that’s a losing goddamn battle from the start, which is why it’s called a derailment tactic. But the fact that your experience was good has no relevance to a discussion about bad experiences, unless you have a deep and abiding need to make everybody agree with and focus on your experience. That’s some privileged shit.

At Overthinking it, Is Doctor Who Bad for Women? (spoilers through to ep1 of season five of New Who)

Robbo at Biting the Dust blogs Australia Post and the Supply of Medications, looking at posting meds out bush and some issues in the system.

Really liked this post at The Double Standard: 2010’s TOP 10 EXCUSES FOR RACISM: How to Decode the New Sophisticated Lingo

La Vie Noire blogs:

I just want to show that this is what happens when marginalized people dare to talk against oppression. You see how vulnerable trans women are and how their bodies and identities are ridiculed by cis, white, straight men when they denounce privilege and problematic behavior.

The Problems with Multi-Culturalism at Fuzzy Theory.

Multiculturalism assumes stable, static, cultural boundaries. In its attempt to say different cultures are part and parcel of Canada, it also solidifies these into unwavering essenses.

At Racism Review, “Christian Racism”: These Wounds I Suffer in the House of My Friends

The study [pdf here], published in the journal Social Psychological and Personality Science, found that people subliminally “primed” with Christian words reported more negative attitudes about African-Americans than those primed with neutral words. “What’s interesting about this study is that it shows some component of religion does lead to some negative evaluations of people based on race,” said Wade Rowatt , associate professor of psychology and neuroscience at Baylor, who led the study.

On the 40th Anniversary of Earth Day, Let’s ... Go Shopping! at Newsweek, on how green shopping won't save the planet.

the critical fashion lover's guide to (basic) cultural appropriation is a really excellent 101 sort of post on cultural appropriation in fashion, and why it matters.

Demand for Open Investigation Into Death of Aboriginal Trans Woman in Custody